ISRC

ATR981260321

HONEYSUCKLE ROSE (VERSION BY GENE SEDRIC AND HIS ORCHESTRA)

Song: HONEYSUCKLE ROSE (OPENING THEME)

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ATR981260321 is the International Standard Recording Code (ISRC) for the recording “HONEYSUCKLE ROSE (VERSION BY GENE SEDRIC AND HIS ORCHESTRA). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANDY RAZAF, FATS WALLER.

Format

ATCountry
R98Registrant
12Year (2012)
60321Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHONEYSUCKLE ROSE (VERSION BY GENE SEDRIC AND HIS ORCHESTRA)

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Songwriter profiles

People also ask

What is the ISRC for "HONEYSUCKLE ROSE (VERSION BY GENE SEDRIC AND HIS ORCHESTRA)"?
The ISRC for "HONEYSUCKLE ROSE (VERSION BY GENE SEDRIC AND HIS ORCHESTRA)" is ATR981260321.
Who wrote "HONEYSUCKLE ROSE (VERSION BY GENE SEDRIC AND HIS ORCHESTRA)"?
"HONEYSUCKLE ROSE (VERSION BY GENE SEDRIC AND HIS ORCHESTRA)" was written by ANDY RAZAF, FATS WALLER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATR981260321?

ATR981260321 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “HONEYSUCKLE ROSE (VERSION BY GENE SEDRIC AND HIS ORCHESTRA). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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