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ISRC

ATUM71100107

Concerto in One Movement, After Nicolò Paganini’s Violin Concerto in D major, op. 6

Song: Concerto in One Movement

Benjamin SchmidWiener PhilharmonikerValery Gergiev
Released 2011-01-01

Last verified:

ATUM71100107 is the International Standard Recording Code (ISRC) for the recording "Concerto in One Movement, After Nicolò Paganini’s Violin Concerto in D major, op. 6" by Benjamin Schmid, Wiener Philharmoniker, Valery Gergiev, released 2011-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
UM7Registrant
11Year (2011)
00107Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Concerto in One Movement, After Nicolò Paganini’s Violin Concerto in D major, op. 6" by Benjamin Schmid?
The ISRC for "Concerto in One Movement, After Nicolò Paganini’s Violin Concerto in D major, op. 6" by Benjamin Schmid, Wiener Philharmoniker, Valery Gergiev is ATUM71100107.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATUM71100107?

ATUM71100107 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto in One Movement, After Nicolò Paganini’s Violin Concerto in D major, op. 6" by Benjamin Schmid, Wiener Philharmoniker, Valery Gergiev. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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