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Divertimento no. 3 for Baryton, Viola and Cello i G major: 1. Moderato album cover

ISRC

ATUM71900012

Divertimento no. 3 for Baryton, Viola and Cello i G major: 1. Moderato

Robert BauerstatterMaddalena Del GobboDavid Pennetzdorfer
Released 2019-07-26

Last verified:

ATUM71900012 is the International Standard Recording Code (ISRC) for the recording “Divertimento no. 3 for Baryton, Viola and Cello i G major: 1. Moderato” by Robert Bauerstatter, Maddalena Del Gobbo, David Pennetzdorfer, released 2019-07-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
UM7Registrant
19Year (2019)
00012Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Divertimento no. 3 for Baryton, Viola and Cello i G major: 1. Moderato" by Robert Bauerstatter?
The ISRC for "Divertimento no. 3 for Baryton, Viola and Cello i G major: 1. Moderato" by Robert Bauerstatter, Maddalena Del Gobbo, David Pennetzdorfer is ATUM71900012.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATUM71900012?

ATUM71900012 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Divertimento no. 3 for Baryton, Viola and Cello i G major: 1. Moderato” by Robert Bauerstatter, Maddalena Del Gobbo, David Pennetzdorfer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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