Goodbye World, Hello Space Island album cover

ISRC

AU2DY2100151

Goodbye World, Hello Space Island2

Song: GOODBYE WORLD HELLO SPACE ISLAND

BROODS
unmatchedNot yet matched in the MLC database
Released 2022-02-18

Last verified:

AU2DY2100151 is the International Standard Recording Code (ISRC) for the recording "Goodbye World, Hello Space Island" by BROODS, released 2022-02-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MATIAS GABRIEL MORA, GEORGIA NOTT, CALEB ALLAN JOSEPH NOTT, and others.

Format

AUCountry
2DYRegistrant
21Year (2021)
00151Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCGoodbye World, Hello Space Island

People also ask

What is the ISRC for "Goodbye World, Hello Space Island" by BROODS?
The ISRC for "Goodbye World, Hello Space Island" by BROODS is AU2DY2100151.
Who wrote "Goodbye World, Hello Space Island"?
"Goodbye World, Hello Space Island" was written by MATIAS GABRIEL MORA, GEORGIA NOTT, CALEB ALLAN JOSEPH NOTT, MIA GABRIELLA MINICHIELLO, JOSE DANIEL BRENES MORA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AU2DY2100151?

AU2DY2100151 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Goodbye World, Hello Space Island" by BROODS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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