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ISRC

AU7J41079240

LES SYLPHIDES: VI. PRELUDE IN A MAJOR, OP. 28, NO. 7

Song: PRELUDE IN A MAJOR OP 28 NO 7 (PD)

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AU7J41079240 is the International Standard Recording Code (ISRC) for the recording “LES SYLPHIDES: VI. PRELUDE IN A MAJOR, OP. 28, NO. 7”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAMES JOHNSTON STEWART, FREDERIC FRANCOIS CHOPIN.

Format

AUCountry
7J4Registrant
10Year (2010)
79240Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLES SYLPHIDES: VI. PRELUDE IN A MAJOR, OP. 28, NO. 7
IPIJAMES JOHNSTON STEWART

Related

Songwriter profiles

JAMES JOHNSTON STEWARTIPIFREDERIC FRANCOIS CHOPINIPI

People also ask

What is the ISRC for "LES SYLPHIDES: VI. PRELUDE IN A MAJOR, OP. 28, NO. 7"?
The ISRC for "LES SYLPHIDES: VI. PRELUDE IN A MAJOR, OP. 28, NO. 7" is AU7J41079240.
Who wrote "LES SYLPHIDES: VI. PRELUDE IN A MAJOR, OP. 28, NO. 7"?
"LES SYLPHIDES: VI. PRELUDE IN A MAJOR, OP. 28, NO. 7" was written by JAMES JOHNSTON STEWART, FREDERIC FRANCOIS CHOPIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AU7J41079240?

AU7J41079240 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LES SYLPHIDES: VI. PRELUDE IN A MAJOR, OP. 28, NO. 7”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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