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ISRC

AU7J41087231

FOOTPRINTS IN THE SAND

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AU7J41087231 is the International Standard Recording Code (ISRC) for the recording “FOOTPRINTS IN THE SAND”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GWYNN ELIAS, IRVING REID.

Format

AUCountry
7J4Registrant
10Year (2010)
87231Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GWYNN ELIASComposerLyricist
WEMAR MUSIC CORP OriginalPublisher0.00%
CONCORD BARITONE CC1 OriginalPublisher100.00%IPI: 01177164935
IRVING REIDComposerLyricist
WEMAR MUSIC CORP OriginalPublisher0.00%
CONCORD BARITONE CC1 OriginalPublisher100.00%IPI: 01177164935

Who publishes this song?

WEMAR MUSIC CORPOriginalPublisher
CONCORD BARITONE CC1OriginalPublisher
IPI: 01177164935

MLC Song Code

F53431
Verify on MLC Portal →
SourcesMLCMusicBrainz2 sources

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Related

Songwriter profiles

People also ask

What is the ISRC for "FOOTPRINTS IN THE SAND"?
The ISRC for "FOOTPRINTS IN THE SAND" is AU7J41087231.
Who wrote "FOOTPRINTS IN THE SAND"?
"FOOTPRINTS IN THE SAND" was written by GWYNN ELIAS, IRVING REID.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AU7J41087231?

AU7J41087231 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “FOOTPRINTS IN THE SAND”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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