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ISRC

AUAB00650645

Nabucco: Va, pensiero (Chorus of the Hebrew Slaves)

Song: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro)

Opera AustraliaThe Australian Opera and Ballet OrchestraThomas Woods
Released 2006-01-01

Last verified:

AUAB00650645 is the International Standard Recording Code (ISRC) for the recording "Nabucco: Va, pensiero (Chorus of the Hebrew Slaves)" by Opera Australia, The Australian Opera and Ballet Orchestra, Thomas Woods, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
AB0Registrant
06Year (2006)
50645Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Nabucco: Va, pensiero (Chorus of the Hebrew Slaves)" by Opera Australia?
The ISRC for "Nabucco: Va, pensiero (Chorus of the Hebrew Slaves)" by Opera Australia, The Australian Opera and Ballet Orchestra, Thomas Woods is AUAB00650645.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUAB00650645?

AUAB00650645 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Nabucco: Va, pensiero (Chorus of the Hebrew Slaves)" by Opera Australia, The Australian Opera and Ballet Orchestra, Thomas Woods. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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