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Lieder eines fahrenden Gesellen: 2. Ging heut' morgen übers Feld album cover

ISRC

AUAB00950237

Lieder eines fahrenden Gesellen: 2. Ging heut' morgen übers Feld

Fiona CampbellWest Australian Symphony OrchestraBenjamin Northey
Released 2016-01-01

Last verified:

AUAB00950237 is the International Standard Recording Code (ISRC) for the recording "Lieder eines fahrenden Gesellen: 2. Ging heut' morgen übers Feld" by Fiona Campbell, West Australian Symphony Orchestra, Benjamin Northey, released 2016-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
AB0Registrant
09Year (2009)
50237Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Lieder eines fahrenden Gesellen: 2. Ging heut' morgen übers Feld" by Fiona Campbell?
The ISRC for "Lieder eines fahrenden Gesellen: 2. Ging heut' morgen übers Feld" by Fiona Campbell, West Australian Symphony Orchestra, Benjamin Northey is AUAB00950237.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUAB00950237?

AUAB00950237 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Lieder eines fahrenden Gesellen: 2. Ging heut' morgen übers Feld" by Fiona Campbell, West Australian Symphony Orchestra, Benjamin Northey. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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