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ISRC

AUAB01150663

Brandenburg Concerto no. 6 in B-flat, BWV 1051: 2. Adagio ma non tanto

Song: Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto

Orchestra of the AntipodesErin Helyard
unmatchedNot yet matched in the MLC database
Released 2012-01-01

Last verified:

AUAB01150663 is the International Standard Recording Code (ISRC) for the recording "Brandenburg Concerto no. 6 in B-flat, BWV 1051: 2. Adagio ma non tanto" by Orchestra of the Antipodes, Erin Helyard, released 2012-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
AB0Registrant
11Year (2011)
50663Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

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People also ask

What is the ISRC for "Brandenburg Concerto no. 6 in B-flat, BWV 1051: 2. Adagio ma non tanto" by Orchestra of the Antipodes?
The ISRC for "Brandenburg Concerto no. 6 in B-flat, BWV 1051: 2. Adagio ma non tanto" by Orchestra of the Antipodes, Erin Helyard is AUAB01150663.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUAB01150663?

AUAB01150663 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Brandenburg Concerto no. 6 in B-flat, BWV 1051: 2. Adagio ma non tanto" by Orchestra of the Antipodes, Erin Helyard. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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