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Der makām-ı 'Uzzâl uşūleş Devr-i kebīr (Music in usules mode and devr-i kebir rhythm) album cover

ISRC

AUAB01350277

Der makām-ı 'Uzzâl uşūleş Devr-i kebīr (Music in usules mode and devr-i kebir rhythm)

Latitude 37Yuval Ashkar & Matt Stonehouse

Last verified:

AUAB01350277 is the International Standard Recording Code (ISRC) for the recording "Der makām-ı 'Uzzâl uşūleş Devr-i kebīr (Music in usules mode and devr-i kebir rhythm)" by Latitude 37, Yuval Ashkar & Matt Stonehouse. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
AB0Registrant
13Year (2013)
50277Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesApple Music

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People also ask

What is the ISRC for "Der makām-ı 'Uzzâl uşūleş Devr-i kebīr (Music in usules mode and devr-i kebir rhythm)" by Latitude 37?
The ISRC for "Der makām-ı 'Uzzâl uşūleş Devr-i kebīr (Music in usules mode and devr-i kebir rhythm)" by Latitude 37, Yuval Ashkar & Matt Stonehouse is AUAB01350277.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUAB01350277?

AUAB01350277 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Der makām-ı 'Uzzâl uşūleş Devr-i kebīr (Music in usules mode and devr-i kebir rhythm)" by Latitude 37, Yuval Ashkar & Matt Stonehouse. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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