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ISRC

AUAB01450004

Il sogno di Scipione, K. 126: "Lieve sono al par del vento"

Song: Il sogno di Scipione, K. 126: Act I No. 2 Aria "Lieve sono al par del vento" (Fortuna)

Emma MatthewsTasmanian Symphony OrchestraMarko Letonja
Released 2014-02-07

Last verified:

AUAB01450004 is the International Standard Recording Code (ISRC) for the recording "Il sogno di Scipione, K. 126: "Lieve sono al par del vento"" by Emma Matthews, Tasmanian Symphony Orchestra, Marko Letonja, released 2014-02-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
AB0Registrant
14Year (2014)
50004Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Il sogno di Scipione, K. 126: "Lieve sono al par del vento"" by Emma Matthews?
The ISRC for "Il sogno di Scipione, K. 126: "Lieve sono al par del vento"" by Emma Matthews, Tasmanian Symphony Orchestra, Marko Letonja is AUAB01450004.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUAB01450004?

AUAB01450004 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Il sogno di Scipione, K. 126: "Lieve sono al par del vento"" by Emma Matthews, Tasmanian Symphony Orchestra, Marko Letonja. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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