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Dido & Aeneas: Ayre; "Thanks to these lonesome Vales" album cover

ISRC

AUAB09750108

Dido & Aeneas: Ayre; "Thanks to these lonesome Vales"

Song: Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus)

Geoffrey LancasterTasmanian Symphony Chamber Players
Released 1997-01-01

Last verified:

AUAB09750108 is the International Standard Recording Code (ISRC) for the recording “Dido & Aeneas: Ayre; "Thanks to these lonesome Vales"” by Geoffrey Lancaster, Tasmanian Symphony Chamber Players, released 1997-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
AB0Registrant
97Year (1997)
50108Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Dido & Aeneas: Ayre; "Thanks to these lonesome Vales"" by Geoffrey Lancaster?
The ISRC for "Dido & Aeneas: Ayre; "Thanks to these lonesome Vales"" by Geoffrey Lancaster, Tasmanian Symphony Chamber Players is AUAB09750108.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUAB09750108?

AUAB09750108 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Dido & Aeneas: Ayre; "Thanks to these lonesome Vales"” by Geoffrey Lancaster, Tasmanian Symphony Chamber Players. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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