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ISRC

AUDD31702212

"BEAUTY AND THE BEAST (FROM ""BEAUTY AND THE BEAST"")"

Song: BEAUTY AND THE BEAST (DUET)

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AUDD31702212 is the International Standard Recording Code (ISRC) for the recording ""BEAUTY AND THE BEAST (FROM ""BEAUTY AND THE BEAST"")"". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HOWARD ELLIOTT ASHMAN, ALAN IRWIN MENKEN.

Format

AUCountry
DD3Registrant
17Year (2017)
02212Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"BEAUTY AND THE BEAST (FROM ""BEAUTY AND THE BEAST"")"
IPIHOWARD ELLIOTT ASHMAN

Related

Songwriter profiles

HOWARD ELLIOTT ASHMANIPIALAN IRWIN MENKENIPI

People also ask

What is the ISRC for ""BEAUTY AND THE BEAST (FROM ""BEAUTY AND THE BEAST"")""?
The ISRC for ""BEAUTY AND THE BEAST (FROM ""BEAUTY AND THE BEAST"")"" is AUDD31702212.
Who wrote ""BEAUTY AND THE BEAST (FROM ""BEAUTY AND THE BEAST"")""?
""BEAUTY AND THE BEAST (FROM ""BEAUTY AND THE BEAST"")"" was written by HOWARD ELLIOTT ASHMAN, ALAN IRWIN MENKEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUDD31702212?

AUDD31702212 is an International Standard Recording Code (ISRC) that uniquely identifies the recording ""BEAUTY AND THE BEAST (FROM ""BEAUTY AND THE BEAST"")"". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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