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"YOU BEAT ME TO THE PUNCH (FROM ""BOULEVARD NIGHTS"")" album cover

ISRC

AUDD31900757

"YOU BEAT ME TO THE PUNCH (FROM ""BOULEVARD NIGHTS"")"

Song: YOU BEAT ME TO THE PUNCH

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AUDD31900757 is the International Standard Recording Code (ISRC) for the recording ""YOU BEAT ME TO THE PUNCH (FROM ""BOULEVARD NIGHTS"")"". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RONALD WHITE, WILLIAM ROBINSON JR..

Format

AUCountry
DD3Registrant
19Year (2019)
00757Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"YOU BEAT ME TO THE PUNCH (FROM ""BOULEVARD NIGHTS"")"
IPIRONALD WHITE

Related

Songwriter profiles

RONALD WHITEIPIWILLIAM ROBINSON JR.IPI

People also ask

What is the ISRC for ""YOU BEAT ME TO THE PUNCH (FROM ""BOULEVARD NIGHTS"")""?
The ISRC for ""YOU BEAT ME TO THE PUNCH (FROM ""BOULEVARD NIGHTS"")"" is AUDD31900757.
Who wrote ""YOU BEAT ME TO THE PUNCH (FROM ""BOULEVARD NIGHTS"")""?
""YOU BEAT ME TO THE PUNCH (FROM ""BOULEVARD NIGHTS"")"" was written by RONALD WHITE, WILLIAM ROBINSON JR..
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUDD31900757?

AUDD31900757 is an International Standard Recording Code (ISRC) that uniquely identifies the recording ""YOU BEAT ME TO THE PUNCH (FROM ""BOULEVARD NIGHTS"")"". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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