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ISRC

AURFF2503781

NOTHING'S GONNA STOP US NOW (ORIGINALLY PERFORMED BY STARSHIP)

Song: NOTHING'S GONNA STOP US NOW

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AURFF2503781 is the International Standard Recording Code (ISRC) for the recording “NOTHING'S GONNA STOP US NOW (ORIGINALLY PERFORMED BY STARSHIP)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DIANE EVE WARREN, ALBERT HAMMOND.

Format

AUCountry
RFFRegistrant
25Year (2025)
03781Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNOTHING'S GONNA STOP US NOW (ORIGINALLY PERFORMED BY STARSHIP)
IPIDIANE EVE WARREN

Related

Songwriter profiles

DIANE EVE WARRENIPIALBERT HAMMONDIPI

People also ask

What is the ISRC for "NOTHING'S GONNA STOP US NOW (ORIGINALLY PERFORMED BY STARSHIP)"?
The ISRC for "NOTHING'S GONNA STOP US NOW (ORIGINALLY PERFORMED BY STARSHIP)" is AURFF2503781.
Who wrote "NOTHING'S GONNA STOP US NOW (ORIGINALLY PERFORMED BY STARSHIP)"?
"NOTHING'S GONNA STOP US NOW (ORIGINALLY PERFORMED BY STARSHIP)" was written by DIANE EVE WARREN, ALBERT HAMMOND.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AURFF2503781?

AURFF2503781 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NOTHING'S GONNA STOP US NOW (ORIGINALLY PERFORMED BY STARSHIP)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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