ISRC

AUV401203308

Let Me Be the One2

Song: LET ME BE THE ONE

Julie Anne San JoseJimmy Bondoc
unmatchedNot yet matched in the MLC database
Released 2013-08-06

Last verified:

AUV401203308 is the International Standard Recording Code (ISRC) for the recording "Let Me Be the One" by Julie Anne San Jose, Jimmy Bondoc, released 2013-08-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
V40Registrant
12Year (2012)
03308Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JAMES PATRICK R BONDOCComposer
MUSIC R US PUBLISHING OriginalPublisher0.00%IPI: 00473684225
PEERMUSIC III LTD SubPublisher100.00%IPI: 00183126677

Who publishes this song?

MUSIC R US PUBLISHINGOriginalPublisher
IPI: 00473684225
PEERMUSIC III LTDSubPublisher
IPI: 00183126677

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Let Me Be the One" by Julie Anne San Jose?
The ISRC for "Let Me Be the One" by Julie Anne San Jose, Jimmy Bondoc is AUV401203308.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUV401203308?

AUV401203308 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Let Me Be the One" by Julie Anne San Jose, Jimmy Bondoc. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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