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Sugar Daddy (Triple J Live at the Wireless, 1993) album cover

ISRC

AUWA02000714

Sugar Daddy (Triple J Live at the Wireless, 1993)2

Song: SUGAR DADDY

The Badloves
matched

Last verified:

AUWA02000714 is the International Standard Recording Code (ISRC) for the recording "Sugar Daddy (Triple J Live at the Wireless, 1993)" by The Badloves. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MICHAEL JOHN SPIBY.

Format

AUCountry
WA0Registrant
20Year (2020)
00714Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSugar Daddy (Triple J Live at the Wireless, 1993)
IPIMICHAEL JOHN SPIBY

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Songwriter profiles

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People also ask

What is the ISRC for "Sugar Daddy (Triple J Live at the Wireless, 1993)" by The Badloves?
The ISRC for "Sugar Daddy (Triple J Live at the Wireless, 1993)" by The Badloves is AUWA02000714.
Who wrote "Sugar Daddy (Triple J Live at the Wireless, 1993)"?
"Sugar Daddy (Triple J Live at the Wireless, 1993)" was written by MICHAEL JOHN SPIBY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUWA02000714?

AUWA02000714 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sugar Daddy (Triple J Live at the Wireless, 1993)" by The Badloves. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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