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ISRC

AUXN22064150

Husavik (My Hometown) [From “Eurovision Song Contest, the Story of Fire Saga”] (8-Bit Will Ferrell & Molly Sandén Emulation)

8-Bit Arcade
Released 2020-07-22

Last verified:

AUXN22064150 is the International Standard Recording Code (ISRC) for the recording “Husavik (My Hometown) [From “Eurovision Song Contest, the Story of Fire Saga”] (8-Bit Will Ferrell & Molly Sandén Emulation)” by 8-Bit Arcade, released 2020-07-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
XN2Registrant
20Year (2020)
64150Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Husavik (My Hometown) [From “Eurovision Song Contest, the Story of Fire Saga”] (8-Bit Will Ferrell & Molly Sandén Emulation)" by 8-Bit Arcade?
The ISRC for "Husavik (My Hometown) [From “Eurovision Song Contest, the Story of Fire Saga”] (8-Bit Will Ferrell & Molly Sandén Emulation)" by 8-Bit Arcade is AUXN22064150.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUXN22064150?

AUXN22064150 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Husavik (My Hometown) [From “Eurovision Song Contest, the Story of Fire Saga”] (8-Bit Will Ferrell & Molly Sandén Emulation)” by 8-Bit Arcade. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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