BAD BOY (16-BIT JUICE WRLD & YOUNG THUG EMULATION) album cover

ISRC

AUXN22131951

BAD BOY (16-BIT JUICE WRLD & YOUNG THUG EMULATION)

Song: BAD BOY

ARCADE PLAYER
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Last verified:

AUXN22131951 is the International Standard Recording Code (ISRC) for the recording “BAD BOY (16-BIT JUICE WRLD & YOUNG THUG EMULATION) by ARCADE PLAYER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JEFFERY LAMAR WILLIAMS, JARAD HIGGINS, JORDAN TIMOTHY JENKS.

Format

AUCountry
XN2Registrant
21Year (2021)
31951Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBAD BOY (16-BIT JUICE WRLD & YOUNG THUG EMULATION)

People also ask

What is the ISRC for "BAD BOY (16-BIT JUICE WRLD & YOUNG THUG EMULATION)" by ARCADE PLAYER?
The ISRC for "BAD BOY (16-BIT JUICE WRLD & YOUNG THUG EMULATION)" by ARCADE PLAYER is AUXN22131951.
Who wrote "BAD BOY (16-BIT JUICE WRLD & YOUNG THUG EMULATION)"?
"BAD BOY (16-BIT JUICE WRLD & YOUNG THUG EMULATION)" was written by JEFFERY LAMAR WILLIAMS, JARAD HIGGINS, JORDAN TIMOTHY JENKS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUXN22131951?

AUXN22131951 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “BAD BOY (16-BIT JUICE WRLD & YOUNG THUG EMULATION) by ARCADE PLAYER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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