ISRC

AUXN22157111

BUTTERFLIES (16-BIT PIPER ROCKELLE EMULATION)

Song: BUTTERFLIES

ARCADE PLAYER
unmatchedNot yet matched in the MLC database

Last verified:

AUXN22157111 is the International Standard Recording Code (ISRC) for the recording “BUTTERFLIES (16-BIT PIPER ROCKELLE EMULATION) by ARCADE PLAYER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WILLIAM JAY BEHLENDORF, SAMANTHA CREIGHTON, NATALIE PATTON, and others.

Format

AUCountry
XN2Registrant
21Year (2021)
57111Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBUTTERFLIES (16-BIT PIPER ROCKELLE EMULATION)

People also ask

What is the ISRC for "BUTTERFLIES (16-BIT PIPER ROCKELLE EMULATION)" by ARCADE PLAYER?
The ISRC for "BUTTERFLIES (16-BIT PIPER ROCKELLE EMULATION)" by ARCADE PLAYER is AUXN22157111.
Who wrote "BUTTERFLIES (16-BIT PIPER ROCKELLE EMULATION)"?
"BUTTERFLIES (16-BIT PIPER ROCKELLE EMULATION)" was written by WILLIAM JAY BEHLENDORF, SAMANTHA CREIGHTON, NATALIE PATTON, SAMANTHA YARTO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUXN22157111?

AUXN22157111 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “BUTTERFLIES (16-BIT PIPER ROCKELLE EMULATION) by ARCADE PLAYER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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