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ISRC

AUXN22186600

Never Left (8-Bit Lil Tecca Emulation)2

Song: NEVER LEFT

8-Bit Arcade
unmatchedNot yet matched in the MLC database
Released 2021-08-04

Last verified:

AUXN22186600 is the International Standard Recording Code (ISRC) for the recording “Never Left (8-Bit Lil Tecca Emulation)” by 8-Bit Arcade, released 2021-08-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WILLIAM SLAYTON LAMBERT, CODY H ROUNDS, TYLER JUSTIN SHARPE, and others.

Format

AUCountry
XN2Registrant
21Year (2021)
86600Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNever Left (8-Bit Lil Tecca Emulation)
IPIWILLIAM SLAYTON LAMBERT

People also ask

What is the ISRC for "Never Left (8-Bit Lil Tecca Emulation)" by 8-Bit Arcade?
The ISRC for "Never Left (8-Bit Lil Tecca Emulation)" by 8-Bit Arcade is AUXN22186600.
Who wrote "Never Left (8-Bit Lil Tecca Emulation)"?
"Never Left (8-Bit Lil Tecca Emulation)" was written by WILLIAM SLAYTON LAMBERT, CODY H ROUNDS, TYLER JUSTIN SHARPE, DANNY SNODGRASS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUXN22186600?

AUXN22186600 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Never Left (8-Bit Lil Tecca Emulation)” by 8-Bit Arcade. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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