NEVER LEFT (ORIGINALLY PERFORMED BY LIL TECCA) album cover

ISRC

AUXN22190475

NEVER LEFT (ORIGINALLY PERFORMED BY LIL TECCA)

Song: NEVER LEFT

BACKING BUSINESS
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AUXN22190475 is the International Standard Recording Code (ISRC) for the recording “NEVER LEFT (ORIGINALLY PERFORMED BY LIL TECCA) by BACKING BUSINESS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WILLIAM SLAYTON LAMBERT, CODY H ROUNDS, TYLER JUSTIN SHARPE, and others.

Format

AUCountry
XN2Registrant
21Year (2021)
90475Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNEVER LEFT (ORIGINALLY PERFORMED BY LIL TECCA)

People also ask

What is the ISRC for "NEVER LEFT (ORIGINALLY PERFORMED BY LIL TECCA)" by BACKING BUSINESS?
The ISRC for "NEVER LEFT (ORIGINALLY PERFORMED BY LIL TECCA)" by BACKING BUSINESS is AUXN22190475.
Who wrote "NEVER LEFT (ORIGINALLY PERFORMED BY LIL TECCA)"?
"NEVER LEFT (ORIGINALLY PERFORMED BY LIL TECCA)" was written by WILLIAM SLAYTON LAMBERT, CODY H ROUNDS, TYLER JUSTIN SHARPE, DANNY SNODGRASS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUXN22190475?

AUXN22190475 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NEVER LEFT (ORIGINALLY PERFORMED BY LIL TECCA) by BACKING BUSINESS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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