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ISRC

AUXN22228204

Boys Don’t Cry (8-Bit Anitta Emulation)2

Song: BOYS DON'T CRY

8-Bit Arcade
unmatchedNot yet matched in the MLC database
Released 2022-02-23

Last verified:

AUXN22228204 is the International Standard Recording Code (ISRC) for the recording “Boys Don’t Cry (8-Bit Anitta Emulation)” by 8-Bit Arcade, released 2022-02-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RAMI YACOUB, SEAN MAXWELL DOUGLAS, BADRIIA INES BOURELLY, and others.

Format

AUCountry
XN2Registrant
22Year (2022)
28204Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBoys Don’t Cry (8-Bit Anitta Emulation)
IPIRAMI YACOUB

People also ask

What is the ISRC for "Boys Don’t Cry (8-Bit Anitta Emulation)" by 8-Bit Arcade?
The ISRC for "Boys Don’t Cry (8-Bit Anitta Emulation)" by 8-Bit Arcade is AUXN22228204.
Who wrote "Boys Don’t Cry (8-Bit Anitta Emulation)"?
"Boys Don’t Cry (8-Bit Anitta Emulation)" was written by RAMI YACOUB, SEAN MAXWELL DOUGLAS, BADRIIA INES BOURELLY, MATTHEW JAMES BURNS, ANITTA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUXN22228204?

AUXN22228204 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Boys Don’t Cry (8-Bit Anitta Emulation)” by 8-Bit Arcade. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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