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ISRC

AUXN22328688

THEY DONT LOVE IT (ORIGINALLY PERFORMED BY JACK HARLOW)

Song: THEY DON'T LOVE IT

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AUXN22328688 is the International Standard Recording Code (ISRC) for the recording “THEY DONT LOVE IT (ORIGINALLY PERFORMED BY JACK HARLOW)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TIMOTHY WRIGHT, JACKMAN THOMAS HARLOW, KAMERON COLE.

Format

AUCountry
XN2Registrant
23Year (2023)
28688Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHEY DONT LOVE IT (ORIGINALLY PERFORMED BY JACK HARLOW)
IPITIMOTHY WRIGHT

Related

Songwriter profiles

TIMOTHY WRIGHTIPIJACKMAN THOMAS HARLOWIPI

People also ask

What is the ISRC for "THEY DONT LOVE IT (ORIGINALLY PERFORMED BY JACK HARLOW)"?
The ISRC for "THEY DONT LOVE IT (ORIGINALLY PERFORMED BY JACK HARLOW)" is AUXN22328688.
Who wrote "THEY DONT LOVE IT (ORIGINALLY PERFORMED BY JACK HARLOW)"?
"THEY DONT LOVE IT (ORIGINALLY PERFORMED BY JACK HARLOW)" was written by TIMOTHY WRIGHT, JACKMAN THOMAS HARLOW, KAMERON COLE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUXN22328688?

AUXN22328688 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THEY DONT LOVE IT (ORIGINALLY PERFORMED BY JACK HARLOW)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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