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ISRC

AUXN22339565

I Wish (8-Bit Jae5, Lojay & Libianca Emulation)2

Song: I WISH

8-Bit Arcade
matched
Released 2023-07-12

Last verified:

AUXN22339565 is the International Standard Recording Code (ISRC) for the recording “I Wish (8-Bit Jae5, Lojay & Libianca Emulation)” by 8-Bit Arcade, released 2023-07-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MORTEN NYHEIM LARSEN, JONATHAN KWEKU AWOTWE-MENSAH, LIBIANCA FONJI, and others.

Format

AUCountry
XN2Registrant
23Year (2023)
39565Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "I Wish (8-Bit Jae5, Lojay & Libianca Emulation)" by 8-Bit Arcade?
The ISRC for "I Wish (8-Bit Jae5, Lojay & Libianca Emulation)" by 8-Bit Arcade is AUXN22339565.
Who wrote "I Wish (8-Bit Jae5, Lojay & Libianca Emulation)"?
"I Wish (8-Bit Jae5, Lojay & Libianca Emulation)" was written by MORTEN NYHEIM LARSEN, JONATHAN KWEKU AWOTWE-MENSAH, LIBIANCA FONJI, LEKAN OSIFESO, JORDAN WATSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUXN22339565?

AUXN22339565 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Wish (8-Bit Jae5, Lojay & Libianca Emulation)” by 8-Bit Arcade. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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