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ISRC

AUXN22344210

Tá OK (8-Bit Dennis & Kevin o Chris Emulation)2

Song: TA OK

8-Bit Arcade
matched
Released 2023-07-19

Last verified:

AUXN22344210 is the International Standard Recording Code (ISRC) for the recording “Tá OK (8-Bit Dennis & Kevin o Chris Emulation)” by 8-Bit Arcade, released 2023-07-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DENNISON DE LIMA GOMES, KEVIN DE OLIVEIRA ZANONI.

Format

AUCountry
XN2Registrant
23Year (2023)
44210Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTá OK (8-Bit Dennis & Kevin o Chris Emulation)
IPIDENNISON DE LIMA GOMES

People also ask

What is the ISRC for "Tá OK (8-Bit Dennis & Kevin o Chris Emulation)" by 8-Bit Arcade?
The ISRC for "Tá OK (8-Bit Dennis & Kevin o Chris Emulation)" by 8-Bit Arcade is AUXN22344210.
Who wrote "Tá OK (8-Bit Dennis & Kevin o Chris Emulation)"?
"Tá OK (8-Bit Dennis & Kevin o Chris Emulation)" was written by DENNISON DE LIMA GOMES, KEVIN DE OLIVEIRA ZANONI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUXN22344210?

AUXN22344210 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Tá OK (8-Bit Dennis & Kevin o Chris Emulation)” by 8-Bit Arcade. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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