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ISRC

AUXN22533809

BAD BOYS (DUBSTEP REMIX - SPED UP)

Song: BAD BOYS

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AUXN22533809 is the International Standard Recording Code (ISRC) for the recording “BAD BOYS (DUBSTEP REMIX - SPED UP)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BLAKE ANTHONY CARTER, IAN LEWIS, JASON BRADLEY DE FORD, and others.

Format

AUCountry
XN2Registrant
25Year (2025)
33809Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBAD BOYS (DUBSTEP REMIX - SPED UP)
IPIBLAKE ANTHONY CARTER

Related

Songwriter profiles

BLAKE ANTHONY CARTERIPIJASON BRADLEY DE FORDIPITAYLOR PHILLIPSIPITAYLOR DELMAR PHILLIPSIPIFRANK RAYIPI

People also ask

What is the ISRC for "BAD BOYS (DUBSTEP REMIX - SPED UP)"?
The ISRC for "BAD BOYS (DUBSTEP REMIX - SPED UP)" is AUXN22533809.
Who wrote "BAD BOYS (DUBSTEP REMIX - SPED UP)"?
"BAD BOYS (DUBSTEP REMIX - SPED UP)" was written by BLAKE ANTHONY CARTER, IAN LEWIS, JASON BRADLEY DE FORD, TAYLOR PHILLIPS, FRANK RAY, CARLO CARLOSACCA, TAYLOR DELMAR PHILLIPS, CARLO COLASSACO, FRANK RAY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUXN22533809?

AUXN22533809 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “BAD BOYS (DUBSTEP REMIX - SPED UP)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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