Don’t Worry, We’ll Be Watching You album cover

ISRC

AUZS21100046

Don’t Worry, We’ll Be Watching You2

Song: DON T WORRY WE LL BE WATCHING YOU

Gotye
matched
Released 2011-01-01

Last verified:

AUZS21100046 is the International Standard Recording Code (ISRC) for the recording "Don’t Worry, We’ll Be Watching You" by Gotye, released 2011-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WALTER DEBACKER.

Format

AUCountry
ZS2Registrant
11Year (2011)
00046Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

WALTER DEBACKERComposer
OP SHOP SONGS PTY LTD OriginalPublisherIPI: 00663384427

Who publishes this song?

OP SHOP SONGS PTY LTDOriginalPublisher
IPI: 00663384427

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Don’t Worry, We’ll Be Watching You" by Gotye?
The ISRC for "Don’t Worry, We’ll Be Watching You" by Gotye is AUZS21100046.
Who wrote "Don’t Worry, We’ll Be Watching You"?
"Don’t Worry, We’ll Be Watching You" was written by WALTER DEBACKER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUZS21100046?

AUZS21100046 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Don’t Worry, We’ll Be Watching You" by Gotye. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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