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ISRC

BCXLD2100006

NEM TUDO QUE SOBRA É RESTO

Song: NEM TUDO QUE SOBRA E RESTO

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BCXLD2100006 is the International Standard Recording Code (ISRC) for the recording “NEM TUDO QUE SOBRA É RESTO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUIZINHO SILVEIRA, LUIZ SILVEIRA SOARES.

Format

BCCountry
XLDRegistrant
21Year (2021)
00006Designation
Country:
ISO 3166-1 alpha-2 country code (BC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LUIZINHO SILVEIRAComposer
FINA FLOR OriginalPublisherIPI: 00565778496
WC MUSIC CORP. RightsAdministratorIPI: 00392888203
LUIZ SILVEIRA SOARESComposerLyricist
FINA FLOR OriginalPublisherIPI: 00565778496
WC MUSIC CORP. RightsAdministratorIPI: 00392888203

Who publishes this song?

FINA FLOROriginalPublisher
IPI: 00565778496
WC MUSIC CORP.RightsAdministrator
IPI: 00392888203

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People also ask

What is the ISRC for "NEM TUDO QUE SOBRA É RESTO"?
The ISRC for "NEM TUDO QUE SOBRA É RESTO" is BCXLD2100006.
Who wrote "NEM TUDO QUE SOBRA É RESTO"?
"NEM TUDO QUE SOBRA É RESTO" was written by LUIZINHO SILVEIRA, LUIZ SILVEIRA SOARES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BCXLD2100006?

BCXLD2100006 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NEM TUDO QUE SOBRA É RESTO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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