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JÁ QUE ME ENSINOU A BEBER album cover

ISRC

BCXM72200558

JÁ QUE ME ENSINOU A BEBER

Song: JA QUE ME ENSINOU A BEBER

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BCXM72200558 is the International Standard Recording Code (ISRC) for the recording “JÁ QUE ME ENSINOU A BEBER”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BRUNO SILVEIRA LOURENCO, WALBER CASSIO, RICARDUS RICARDUS MAXIMUS MIRANDA DA CUNHA JUNIOR, and others.

Format

BCCountry
XM7Registrant
22Year (2022)
00558Designation
Country:
ISO 3166-1 alpha-2 country code (BC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCJÁ QUE ME ENSINOU A BEBER
IPIBRUNO SILVEIRA LOURENCO

Related

Songwriter profiles

BRUNO SILVEIRA LOURENCOIPIRICARDUS RICARDUS MAXIMUS MIRANDA DA CUNHA JUNIORIPIFRANCISCO THALLYSON DA ROCHA LIMAIPI

People also ask

What is the ISRC for "JÁ QUE ME ENSINOU A BEBER"?
The ISRC for "JÁ QUE ME ENSINOU A BEBER" is BCXM72200558.
Who wrote "JÁ QUE ME ENSINOU A BEBER"?
"JÁ QUE ME ENSINOU A BEBER" was written by BRUNO SILVEIRA LOURENCO, WALBER CASSIO, RICARDUS RICARDUS MAXIMUS MIRANDA DA CUNHA JUNIOR, FRANCISCO THALLYSON DA ROCHA LIMA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BCXM72200558?

BCXM72200558 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “JÁ QUE ME ENSINOU A BEBER”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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