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ISRC

BEE020995613

Cantate "Ach, dass ich Wassers gnug hätte"

Song: Ach, dass ich Wassers g’nug hätte

Caroline WeynantsPatrick Van GoethemMarcus UllmannLieven TermontIl GardellinoMarcel Ponseele
Released 2010-01-01

Last verified:

BEE020995613 is the International Standard Recording Code (ISRC) for the recording "Cantate "Ach, dass ich Wassers gnug hätte"" by Caroline Weynants, Patrick Van Goethem, Marcus Ullmann, Lieven Termont, Il Gardellino, Marcel Ponseele, released 2010-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

BECountry
E02Registrant
09Year (2009)
95613Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Cantate "Ach, dass ich Wassers gnug hätte"" by Caroline Weynants?
The ISRC for "Cantate "Ach, dass ich Wassers gnug hätte"" by Caroline Weynants, Patrick Van Goethem, Marcus Ullmann, Lieven Termont, Il Gardellino, Marcel Ponseele is BEE020995613.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BEE020995613?

BEE020995613 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cantate "Ach, dass ich Wassers gnug hätte"" by Caroline Weynants, Patrick Van Goethem, Marcus Ullmann, Lieven Termont, Il Gardellino, Marcel Ponseele. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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