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ISRC

BEF642034508

La Lucrezia “O Numi eterni”, HWV 145: Aria: Già superbo del mio affanno

Song: La Lucrezia, HWV 145: II. Aria "Già superbo del mio affanno"

Héloïse MasLaurence CummingsLondon Handel Orchestra
Released 2021-05-14

Last verified:

BEF642034508 is the International Standard Recording Code (ISRC) for the recording "La Lucrezia “O Numi eterni”, HWV 145: Aria: Già superbo del mio affanno" by Héloïse Mas, Laurence Cummings, London Handel Orchestra, released 2021-05-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

BECountry
F64Registrant
20Year (2020)
34508Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "La Lucrezia “O Numi eterni”, HWV 145: Aria: Già superbo del mio affanno" by Héloïse Mas?
The ISRC for "La Lucrezia “O Numi eterni”, HWV 145: Aria: Già superbo del mio affanno" by Héloïse Mas, Laurence Cummings, London Handel Orchestra is BEF642034508.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BEF642034508?

BEF642034508 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "La Lucrezia “O Numi eterni”, HWV 145: Aria: Già superbo del mio affanno" by Héloïse Mas, Laurence Cummings, London Handel Orchestra. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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