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Gasoline Man (Diesel Mix, Radio edit) album cover

ISRC

BEP011800004

Gasoline Man (Diesel Mix, Radio edit)2

Song: GASOLINE MAN

The Young Gods
matched
Released 1992-01-01

Last verified:

BEP011800004 is the International Standard Recording Code (ISRC) for the recording “Gasoline Man (Diesel Mix, Radio edit)” by The Young Gods, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRANZ, MOSIMANN, THE YOUNG GODS.

Format

BECountry
P01Registrant
18Year (2018)
00004Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FRANZComposer
MOSIMANNComposer
THE YOUNG GODSComposer

MLC Song Code

G04017
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Gasoline Man (Diesel Mix, Radio edit)" by The Young Gods?
The ISRC for "Gasoline Man (Diesel Mix, Radio edit)" by The Young Gods is BEP011800004.
Who wrote "Gasoline Man (Diesel Mix, Radio edit)"?
"Gasoline Man (Diesel Mix, Radio edit)" was written by FRANZ, MOSIMANN, THE YOUNG GODS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BEP011800004?

BEP011800004 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Gasoline Man (Diesel Mix, Radio edit)” by The Young Gods. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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