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ISRC

BER180323520

Concerto grosso in G Minor, Op. VI / 8 « Fatto per la notte di Natale »: I. Vivace - Grave, arcate, sostenute e come stà

Arcangelo Corelli
Released 2013-04-08

Last verified:

BER180323520 is the International Standard Recording Code (ISRC) for the recording "Concerto grosso in G Minor, Op. VI / 8 « Fatto per la notte di Natale »: I. Vivace - Grave, arcate, sostenute e come stà" by Arcangelo Corelli, released 2013-04-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

BECountry
R18Registrant
03Year (2003)
23520Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto grosso in G Minor, Op. VI / 8 « Fatto per la notte di Natale »: I. Vivace - Grave, arcate, sostenute e come stà" by Arcangelo Corelli?
The ISRC for "Concerto grosso in G Minor, Op. VI / 8 « Fatto per la notte di Natale »: I. Vivace - Grave, arcate, sostenute e come stà" by Arcangelo Corelli is BER180323520.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BER180323520?

BER180323520 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto grosso in G Minor, Op. VI / 8 « Fatto per la notte di Natale »: I. Vivace - Grave, arcate, sostenute e come stà" by Arcangelo Corelli. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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