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ISRC

BER180625704

“Ich freue mich in dir”, BWV 133: Aria: “Wie lieblich klingt es in die Ohren”

Song: Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren"

Aurore BucherLes AgrémensJean Tubéry
Released 2008-09-28

Last verified:

BER180625704 is the International Standard Recording Code (ISRC) for the recording "“Ich freue mich in dir”, BWV 133: Aria: “Wie lieblich klingt es in die Ohren”" by Aurore Bucher, Les Agrémens, Jean Tubéry, released 2008-09-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

BECountry
R18Registrant
06Year (2006)
25704Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "“Ich freue mich in dir”, BWV 133: Aria: “Wie lieblich klingt es in die Ohren”" by Aurore Bucher?
The ISRC for "“Ich freue mich in dir”, BWV 133: Aria: “Wie lieblich klingt es in die Ohren”" by Aurore Bucher, Les Agrémens, Jean Tubéry is BER180625704.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BER180625704?

BER180625704 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "“Ich freue mich in dir”, BWV 133: Aria: “Wie lieblich klingt es in die Ohren”" by Aurore Bucher, Les Agrémens, Jean Tubéry. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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