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Darum will ich auch erwählen, JLB 3: I. Darum will ich auch erwählen album cover

ISRC

BER182548201

Darum will ich auch erwählen, JLB 3: I. Darum will ich auch erwählen

Song: Darum will ich auch erwählen, JLB 3: I. Sonata e Dictum. “Darum will ich auch erwählen”

Sebastian MyrusCapella SollertiaJohanna Soller

Last verified:

BER182548201 is the International Standard Recording Code (ISRC) for the recording “Darum will ich auch erwählen, JLB 3: I. Darum will ich auch erwählen” by Sebastian Myrus, Capella Sollertia, Johanna Soller. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

BECountry
R18Registrant
25Year (2025)
48201Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Darum will ich auch erwählen, JLB 3: I. Darum will ich auch erwählen" by Sebastian Myrus?
The ISRC for "Darum will ich auch erwählen, JLB 3: I. Darum will ich auch erwählen" by Sebastian Myrus, Capella Sollertia, Johanna Soller is BER182548201.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BER182548201?

BER182548201 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Darum will ich auch erwählen, JLB 3: I. Darum will ich auch erwählen” by Sebastian Myrus, Capella Sollertia, Johanna Soller. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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