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Attitude Gratitude album cover

ISRC

BEUM70700013

Attitude Gratitude2

Song: ATTITUDE GRATITUDE

Absynthe Minded
matched
Released 2007-03-02

Last verified:

BEUM70700013 is the International Standard Recording Code (ISRC) for the recording “Attitude Gratitude” by Absynthe Minded, released 2007-03-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BERT OSTYN, JAN DUTHOY, SERGEJ VAN BOUWEL, and others.

Format

BECountry
UM7Registrant
07Year (2007)
00013Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BERT OSTYNComposer
JAN DUTHOYComposer
SERGEJ VAN BOUWELComposer
JAKOB NACHTERGAELEComposer
RENAUD GHILBERTComposer

MLC Song Code

A3414C
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Attitude Gratitude" by Absynthe Minded?
The ISRC for "Attitude Gratitude" by Absynthe Minded is BEUM70700013.
Who wrote "Attitude Gratitude"?
"Attitude Gratitude" was written by BERT OSTYN, JAN DUTHOY, SERGEJ VAN BOUWEL, JAKOB NACHTERGAELE, RENAUD GHILBERT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BEUM70700013?

BEUM70700013 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Attitude Gratitude” by Absynthe Minded. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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