ISRC

BEX602022001

Domine Deus in simplicitate

Gwendoline BlondeelChœur de Chambre de NamurPierre DerhetKamil Ben Hsaïn LachiriÉric MathotEdward VanmarsenilleThibaut Lenaerts
Released 2021-10-22

Last verified:

BEX602022001 is the International Standard Recording Code (ISRC) for the recording "Domine Deus in simplicitate" by Gwendoline Blondeel, Chœur de Chambre de Namur, Pierre Derhet, Kamil Ben Hsaïn Lachiri, Éric Mathot, Edward Vanmarsenille, Thibaut Lenaerts, released 2021-10-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

BECountry
X60Registrant
20Year (2020)
22001Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Domine Deus in simplicitate" by Gwendoline Blondeel?
The ISRC for "Domine Deus in simplicitate" by Gwendoline Blondeel, Chœur de Chambre de Namur, Pierre Derhet, Kamil Ben Hsaïn Lachiri, Éric Mathot, Edward Vanmarsenille, Thibaut Lenaerts is BEX602022001.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BEX602022001?

BEX602022001 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Domine Deus in simplicitate" by Gwendoline Blondeel, Chœur de Chambre de Namur, Pierre Derhet, Kamil Ben Hsaïn Lachiri, Éric Mathot, Edward Vanmarsenille, Thibaut Lenaerts. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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