Concerto in A major, Wq. 172: Largo con sordini. Mesto. album cover

ISRC

BEY681400121

Concerto in A major, Wq. 172: Largo con sordini. Mesto.

Song: Cello Concerto in A major, Wq. 172, H. 439: II. Largo con sordini, mesto

Pieter WispelweyMusikkollegium WinterthurJonathan Morton
Released 2014-03-10

Last verified:

BEY681400121 is the International Standard Recording Code (ISRC) for the recording “Concerto in A major, Wq. 172: Largo con sordini. Mesto. by Pieter Wispelwey, Musikkollegium Winterthur, Jonathan Morton, released 2014-03-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

BECountry
Y68Registrant
14Year (2014)
00121Designation
Country:
ISO 3166-1 alpha-2 country code (BE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto in A major, Wq. 172: Largo con sordini. Mesto." by Pieter Wispelwey?
The ISRC for "Concerto in A major, Wq. 172: Largo con sordini. Mesto." by Pieter Wispelwey, Musikkollegium Winterthur, Jonathan Morton is BEY681400121.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BEY681400121?

BEY681400121 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto in A major, Wq. 172: Largo con sordini. Mesto. by Pieter Wispelwey, Musikkollegium Winterthur, Jonathan Morton. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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