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ISRC

BK3TQ2500030

DESCE COM A XERECA (FEAT. MC 7 BELO & MC MAGRINHO)

Song: DESCE COM A XERECA

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BK3TQ2500030 is the International Standard Recording Code (ISRC) for the recording “DESCE COM A XERECA (FEAT. MC 7 BELO & MC MAGRINHO)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DANIEL SACUTE DALCIM, JOAO GABRIEL ROCHA PEREIR, KAIQUE MONTEIRO DE ALMEIDA, and others.

Format

BKCountry
3TQRegistrant
25Year (2025)
00030Designation
Country:
ISO 3166-1 alpha-2 country code (BK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

KAIQUE MONTEIRO DE ALMEIDAIPIVINICIUS GUILHERME SANTOS MOURAIPI

People also ask

What is the ISRC for "DESCE COM A XERECA (FEAT. MC 7 BELO & MC MAGRINHO)"?
The ISRC for "DESCE COM A XERECA (FEAT. MC 7 BELO & MC MAGRINHO)" is BK3TQ2500030.
Who wrote "DESCE COM A XERECA (FEAT. MC 7 BELO & MC MAGRINHO)"?
"DESCE COM A XERECA (FEAT. MC 7 BELO & MC MAGRINHO)" was written by DANIEL SACUTE DALCIM, JOAO GABRIEL ROCHA PEREIR, KAIQUE MONTEIRO DE ALMEIDA, VINICIUS GUILHERME SANTOS MOURA, DJ BIEEL NK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BK3TQ2500030?

BK3TQ2500030 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “DESCE COM A XERECA (FEAT. MC 7 BELO & MC MAGRINHO)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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