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ISRC

BR9YT1800034

MULHER CHICLETE

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BR9YT1800034 is the International Standard Recording Code (ISRC) for the recording “MULHER CHICLETE”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by EVERTON DOMINGOS DE MATOS, DIEGO MARADONA FERREIRA DA SILVA, RAY ANTONIO, and others.

Format

BRCountry
9YTRegistrant
18Year (2018)
00034Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMULHER CHICLETE
IPIEVERTON DOMINGOS DE MATOS

Related

Songwriter profiles

EVERTON DOMINGOS DE MATOSIPIDIEGO MARADONA FERREIRA DA SILVAIPIRAY ANTONIOIPIGUILHERME DA COSTA E SILVA FERRAZIPIJAIRO ALVES DOS SANTOSIPISANDOVAL NOGUEIRA DE MORAES NETOIPIRIVANIL CIRINO DE JESUSIPI

People also ask

What is the ISRC for "MULHER CHICLETE"?
The ISRC for "MULHER CHICLETE" is BR9YT1800034.
Who wrote "MULHER CHICLETE"?
"MULHER CHICLETE" was written by EVERTON DOMINGOS DE MATOS, DIEGO MARADONA FERREIRA DA SILVA, RAY ANTONIO, GUILHERME DA COSTA E SILVA FERRAZ, JAIRO ALVES DOS SANTOS, PAULO PIRES, SANDOVAL NOGUEIRA DE MORAES NETO, RIVANIL CIRINO DE JESUS, GABRIELA GOMES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BR9YT1800034?

BR9YT1800034 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “MULHER CHICLETE”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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