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ISRC

BRA221204004

AREIA DO MAR

Song: A AREIA E O MAR

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BRA221204004 is the International Standard Recording Code (ISRC) for the recording “AREIA DO MAR”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANDERSON CUNHA, NEILTON CERQUEIRA SANTOS.

Format

BRCountry
A22Registrant
12Year (2012)
04004Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ANDERSON CUNHAComposerLyricist
NEILTON CERQUEIRA SANTOSComposerLyricist
GIGISTUDIO EDITORA E PRODUCOES ARTISTICAS LTDA ME OriginalPublisherIPI: 00726933814
WC MUSIC CORP. SubPublisherIPI: 00392888203
GIGISTUDIO EDITORA E PRODUCOES ARTISTICAS LTDA ME OriginalPublisherIPI: 00726933814
WC MUSIC CORP. SubPublisherIPI: 00392888203

Who publishes this song?

GIGISTUDIO EDITORA E PRODUCOES ARTISTICAS LTDA MEOriginalPublisher
IPI: 00726933814
WC MUSIC CORP.SubPublisher
IPI: 00392888203
SourcesMLC

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People also ask

What is the ISRC for "AREIA DO MAR"?
The ISRC for "AREIA DO MAR" is BRA221204004.
Who wrote "AREIA DO MAR"?
"AREIA DO MAR" was written by ANDERSON CUNHA, NEILTON CERQUEIRA SANTOS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRA221204004?

BRA221204004 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “AREIA DO MAR”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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