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ISRC

BRA222000680

GUARDA-ME Ó DEUS

Song: GUARDA-ME O DEUS

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BRA222000680 is the International Standard Recording Code (ISRC) for the recording “GUARDA-ME Ó DEUS”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CARLOS ALBERTO MOYSES, SAMUEL MOYSES.

Format

BRCountry
A22Registrant
20Year (2020)
00680Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CARLOS ALBERTO MOYSESComposerLyricist
PEERMUSIC DO BRASIL EDIC MUS OriginalPublisherIPI: 00233738958
SONGS OF PEER, LTD. OriginalPublisherIPI: 00337211392
SAMUEL MOYSESComposerLyricist
PEERMUSIC DO BRASIL EDIC MUS OriginalPublisherIPI: 00233738958
SONGS OF PEER, LTD. OriginalPublisherIPI: 00337211392

Who publishes this song?

PEERMUSIC DO BRASIL EDIC MUSOriginalPublisher
IPI: 00233738958
SONGS OF PEER, LTD.OriginalPublisher
IPI: 00337211392
SourcesMLC

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People also ask

What is the ISRC for "GUARDA-ME Ó DEUS"?
The ISRC for "GUARDA-ME Ó DEUS" is BRA222000680.
Who wrote "GUARDA-ME Ó DEUS"?
"GUARDA-ME Ó DEUS" was written by CARLOS ALBERTO MOYSES, SAMUEL MOYSES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRA222000680?

BRA222000680 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “GUARDA-ME Ó DEUS”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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