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NAQUELE TEMPO album cover

ISRC

BRACP0300155

NAQUELE TEMPO

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BRACP0300155 is the International Standard Recording Code (ISRC) for the recording “NAQUELE TEMPO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LAURINDO ALMEIDA, VIANNA ALFREDO.

Format

BRCountry
ACPRegistrant
03Year (2003)
00155Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LAURINDO ALMEIDAComposerLyricist
BRAZILLIANCE MUSIC PUB OriginalPublisherIPI: 00004113941
SHAPIRO BERNSTEIN & CO. INC. RightsAdministratorIPI: 00495559103
VIANNA ALFREDOComposerLyricist
BRAZILLIANCE MUSIC PUB OriginalPublisherIPI: 00004113941
SHAPIRO BERNSTEIN & CO. INC. RightsAdministratorIPI: 00495559103

Who publishes this song?

BRAZILLIANCE MUSIC PUBOriginalPublisher
IPI: 00004113941
SHAPIRO BERNSTEIN & CO. INC.RightsAdministrator
IPI: 00495559103

MLC Song Code

N2964T
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People also ask

What is the ISRC for "NAQUELE TEMPO"?
The ISRC for "NAQUELE TEMPO" is BRACP0300155.
Who wrote "NAQUELE TEMPO"?
"NAQUELE TEMPO" was written by LAURINDO ALMEIDA, VIANNA ALFREDO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRACP0300155?

BRACP0300155 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NAQUELE TEMPO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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