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ISRC

BRACT1603057

É O SUL

Song: O SEU, O MEU, O NOSSO RIO, ABENCOADO POR DEUS E BONITO POR N

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BRACT1603057 is the International Standard Recording Code (ISRC) for the recording “É O SUL”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NELSON LUIZ AMATUZZI CYPRIANO, JOSE JOAQUIM DOS SANTOS, SERGIO HENRIQUE CUNHA MACHADO, and others.

Format

BRCountry
ACTRegistrant
16Year (2016)
03057Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

CARLOS ALBERTO FIONDA JUNIORIPI

People also ask

What is the ISRC for "É O SUL"?
The ISRC for "É O SUL" is BRACT1603057.
Who wrote "É O SUL"?
"É O SUL" was written by NELSON LUIZ AMATUZZI CYPRIANO, JOSE JOAQUIM DOS SANTOS, SERGIO HENRIQUE CUNHA MACHADO, FERNANDA MARIA CORREA MENOS PINTO DE LIMA DE ALMEIDA, FLAVIO LUIZ SEGAL COUTINHO, ANTONIO CARLOS GOMES GREY, ALCIDES RICARDO GOES, RODRIGO MAIA DA SILVA LOPES, ARMANDO NASCIMENTO DOS SANTOS, CLAUDIO CARVALHO ARAUJO, HELIO GONCALVES PINTO JUNIOR, FABIO ANTONIO BATISTA PORTUGAL, RONALDO SOARES DA SILVA, CARLOS ALBERTO FIONDA JUNIOR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRACT1603057?

BRACT1603057 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “É O SUL”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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