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ISRC

BRAGL0600190

O CARIMBÓ / CÔCO ASSASSINS (BAILADO CAPENGA)

Song: O CARIMBO / COCO ASSASSINS

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BRAGL0600190 is the International Standard Recording Code (ISRC) for the recording “O CARIMBÓ / CÔCO ASSASSINS (BAILADO CAPENGA)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DENGUE DENGUE, JORGE DU PEIXE, PUPILLO PUPILLO, and others.

Format

BRCountry
AGLRegistrant
06Year (2006)
00190Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCO CARIMBÓ / CÔCO ASSASSINS (BAILADO CAPENGA)
IPIDENGUE DENGUE

Related

Songwriter profiles

DENGUE DENGUEIPIJORGE DU PEIXEIPIPUPILLO PUPILLOIPIVALTER PESSOA DE MELLOIPI

People also ask

What is the ISRC for "O CARIMBÓ / CÔCO ASSASSINS (BAILADO CAPENGA)"?
The ISRC for "O CARIMBÓ / CÔCO ASSASSINS (BAILADO CAPENGA)" is BRAGL0600190.
Who wrote "O CARIMBÓ / CÔCO ASSASSINS (BAILADO CAPENGA)"?
"O CARIMBÓ / CÔCO ASSASSINS (BAILADO CAPENGA)" was written by DENGUE DENGUE, JORGE DU PEIXE, PUPILLO PUPILLO, VALTER PESSOA DE MELLO, LUCIO MAIA, GILMAR CORREIA DA SILVA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRAGL0600190?

BRAGL0600190 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “O CARIMBÓ / CÔCO ASSASSINS (BAILADO CAPENGA)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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