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NO PASSO DO BILLY PAUL album cover

ISRC

BRAGL1700077

NO PASSO DO BILLY PAUL

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BRAGL1700077 is the International Standard Recording Code (ISRC) for the recording “NO PASSO DO BILLY PAUL”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOSE MAURICIO DE OLIVEIRA BUSSAB, MAURICIO DE ASSIS FLEURY, MAURICIO OLIVEIRA, and others.

Format

BRCountry
AGLRegistrant
17Year (2017)
00077Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNO PASSO DO BILLY PAUL
IPIJOSE MAURICIO DE OLIVEIRA BUSSAB

Related

Songwriter profiles

JOSE MAURICIO DE OLIVEIRA BUSSABIPIMAURICIO DE ASSIS FLEURYIPIMAURICIO GALLACCI PEREIRAIPIMAURICIO TAGLIARIIPIMAURICIO TAKARAIPI

People also ask

What is the ISRC for "NO PASSO DO BILLY PAUL"?
The ISRC for "NO PASSO DO BILLY PAUL" is BRAGL1700077.
Who wrote "NO PASSO DO BILLY PAUL"?
"NO PASSO DO BILLY PAUL" was written by JOSE MAURICIO DE OLIVEIRA BUSSAB, MAURICIO DE ASSIS FLEURY, MAURICIO OLIVEIRA, MAURICIO GALLACCI PEREIRA, MAURICIO TAGLIARI, MAURICIO TAKARA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRAGL1700077?

BRAGL1700077 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NO PASSO DO BILLY PAUL”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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