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I Don’t Know What to Do With Myself album cover

ISRC

BRMCA7100044

I Don’t Know What to Do With Myself2

Song: I DON'T KNOW WHAT TO DO WITH MYSELF

Tim Maia
unmatchedNot yet matched in the MLC database
Released 1971-01-01

Last verified:

BRMCA7100044 is the International Standard Recording Code (ISRC) for the recording "I Don’t Know What to Do With Myself" by Tim Maia, released 1971-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HYLDON, TIM MAIA.

Format

BRCountry
MCARegistrant
71Year (1971)
00044Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1971):
Last two digits of the reference year (1971). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HYLDONComposer
TIM MAIAComposer

MLC Song Code

I57823
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

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Songwriter profiles

People also ask

What is the ISRC for "I Don’t Know What to Do With Myself" by Tim Maia?
The ISRC for "I Don’t Know What to Do With Myself" by Tim Maia is BRMCA7100044.
Who wrote "I Don’t Know What to Do With Myself"?
"I Don’t Know What to Do With Myself" was written by HYLDON, TIM MAIA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRMCA7100044?

BRMCA7100044 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I Don’t Know What to Do With Myself" by Tim Maia. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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