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O descobridor dos sete mares album cover

ISRC

BRMCA8300131

O descobridor dos sete mares2

Song: O DESCOBRIDOR DOS SETE MARES

Tim Maia
unmatchedNot yet matched in the MLC database
Released 2019-10-25

Last verified:

BRMCA8300131 is the International Standard Recording Code (ISRC) for the recording "O descobridor dos sete mares" by Tim Maia, released 2019-10-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MIGUEL LEITE DE OLIVEIRA NETO, GILSON DE BARROS MENDONCA.

Format

BRCountry
MCARegistrant
83Year (1983)
00131Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1983):
Last two digits of the reference year (1983). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCO descobridor dos sete mares
IPIMIGUEL LEITE DE OLIVEIRA NETO

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Songwriter profiles

MIGUEL LEITE DE OLIVEIRA NETOIPIGILSON DE BARROS MENDONCAIPI

People also ask

What is the ISRC for "O descobridor dos sete mares" by Tim Maia?
The ISRC for "O descobridor dos sete mares" by Tim Maia is BRMCA8300131.
Who wrote "O descobridor dos sete mares"?
"O descobridor dos sete mares" was written by MIGUEL LEITE DE OLIVEIRA NETO, GILSON DE BARROS MENDONCA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRMCA8300131?

BRMCA8300131 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "O descobridor dos sete mares" by Tim Maia. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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