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FOLHAS DE OUTONO - VERSÃO REMASTERIZADA album cover

ISRC

BRSME6700128

FOLHAS DE OUTONO - VERSÃO REMASTERIZADA

Song: FOLHAS DE OUTONO

ROBERTO CARLOS
unmatchedNot yet matched in the MLC database
Released 1967-11-01

Last verified:

BRSME6700128 is the International Standard Recording Code (ISRC) for the recording “FOLHAS DE OUTONO - VERSÃO REMASTERIZADA” by ROBERTO CARLOS, released 1967-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRANCISCO LARA, JOVENIL SANTOS.

Format

BRCountry
SMERegistrant
67Year (1967)
00128Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1967):
Last two digits of the reference year (1967). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FRANCISCO LARAComposer
JOVENIL SANTOSComposer

MLC Song Code

F28913
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People also ask

What is the ISRC for "FOLHAS DE OUTONO - VERSÃO REMASTERIZADA" by ROBERTO CARLOS?
The ISRC for "FOLHAS DE OUTONO - VERSÃO REMASTERIZADA" by ROBERTO CARLOS is BRSME6700128.
Who wrote "FOLHAS DE OUTONO - VERSÃO REMASTERIZADA"?
"FOLHAS DE OUTONO - VERSÃO REMASTERIZADA" was written by FRANCISCO LARA, JOVENIL SANTOS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRSME6700128?

BRSME6700128 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “FOLHAS DE OUTONO - VERSÃO REMASTERIZADA” by ROBERTO CARLOS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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